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Friday, October 31, 2008

24: Redemption Captured In Africa Photography Exhibit

Here's a little more information regarding the upcoming photography exhibit I mentioned in a previous post:




An Exhibit of Photography by:
Jon Cassar
Rodney Charters
Michael Klick
Kelsey McNeal
Kiefer Sutherland

November 12, 2008, to January 11, 2009 in the Bell Family Gallery in Los Angeles


24: REDEMPTION: Captured in Africa offers a rare inside look at the making of the show composed of candid moments between cast and crew, including Emmy Award-winner Kiefer Sutherland; dramatic stills from the spectacular action sequences; and vivid photographic captures of the scenic South African locations.


Curated by Entertainment Weekly deputy photo director Michael Kochman and custom printed at DigitalFusion's fine art printing facility, the exhibit features works by executive producer/director Jon Cassar, director of photography Rodney Charters, producer Michael Klick, unit photographer Kelsey McNeal, and star/executive producer Kiefer Sutherland.

"I was so impressed with the quality of the photography, and it was exciting to see a production photographed from five different perspectives," said Kochman. "Each photographer captured something very special and poetic--sometimes intimate, sometimes epic, sometimes documentary-like and raw. It all adds up to a fascinating photographic experience."


"Shooting 24: 'Redemption' in South Africa was the highlight of my six years on the show," said 24 executive producer and Emmy Award-winning director Jon Cassar. "It was nothing short of exhilarating. Africa also became a wonderful canvas for the still photography enthusiasts among our crew.


Every day put us in places and situations that were new and exciting to us, and our cameras clicked constantly. This exhibit chronicles the seven weeks that were spent in Cape Town and the surrounding regions from moments captured during a hectic shooting schedule to the faces and places that represent not only the making of 24 but the Africa of today."


Source:


The Paley Center For Media




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